Mar 13, 2010 0
A Work by Tino Sehgal at the Guggenheim Walked With You
In “This Progress,” a work by Tino Sehgal, visitors were ushered up the spiral ramp by series of guides who asked them questions related to the idea of progress.
Mar 12, 2010 0
Archive and Historical Society Exhibition for Grateful Dead
An exhibit at the New-York Historical Society is the first large showing of items from the Grateful Dead archive.
Mar 12, 2010 0
Art Review | ‘To Live Forever’: Egyptian Funerary Art and Artifacts at the Brooklyn Museum
An anthropoid shaped wooded coffin for “the Servant of the Great Place,” from about 1339-1308 B.C., is in this show at the Brooklyn Museum.The Brooklyn Museum has assembled an exhibition that explores all facets of the Egyptian funerary industry.
Mar 12, 2010 0
Antiques: Restoring F.D.R’s Harvard Dorm, and a Rare Jade Show
The nonprofit FDR Suite Foundation plans to restore a Harvard dorm as a minimuseum and guest quarters.
Mar 12, 2010 0
Inside Art: Yves Klein Works Attract Attention in Sales and Exhibitions
Yves Klein’s first solo museum show in the U.S. since a traveling exhibition in 1982 will open in May at the Hirshhorn Museum and Sculpture Garden in Washington.
Mar 12, 2010 0
Metropolitan Museum’s Western Instruments, in a Shinier Home
The Metropolitan Museum of Art recently reopened its André Mertens Galleries for Musical Instruments after eight months.
Mar 12, 2010 0
Art Review | ‘Marina Abramovic: The Artist Is Present’: At MoMA, a Performance Artist Endures
With the opening of “Marina Abramovic: The Artist Is Present,” a long-building energy wave of performance art hits the Museum of Modern Art full force.
Mar 12, 2010 0
Art Review | Otto Dix: At Neue Galerie, a Retrospective of a Deeply German Artist
This retrospective of Otto Dix’s unforgiving art, the first show of its kind ever held in North America, is engrossing yet sadly flawed.
Mar 12, 2010 0
Art Review | ‘Twilight Visions’: Shocking Is Poetic at International Center of Photography
at the International Center of Photography includes Dora Maar’s 1933 portrait of Leonor Fini.Many photographs in this absorbing show at the International Center of Photography set up poetic contrasts between the new and the old.
